![]() ![]() However, without his signature singing juxtapozed against the hard, quick flows, the songs on Future seem to all melt together in a relatively uncompelling and somewhat boring collection. ![]() ![]() This separation makes the albums quite different from each other Future is chock-full of quick flows and expressions of street dominance, while Future rap-sings catchy hooks and melodies on Hndrxx. In each case, the value of the trap star is directly correlated to his possession of or rejection by women, putting this music squarely within the discourse I refer to as “f*ck boy consciousness.” Interestingly, Future’s most recent releases present somewhat of a bifurcation of these modes, where Future represents the flex, the excess, and Hndrxx its emotional underside. and Post Malone) as the twin modes of trap music: flex and disillusion, in which a song either narrates the trap star’s thrilling excesses or memorializes their emptiness. In addition to the sheer amount of music he produces, Future’s reign lies in his mastery of combining what I’ve discussed in previous reviews (of T.I. And, lucky for us, 2017 is apparently no different, as he released the self-titled Future on February 17 and Hndrxx, its counterpart, only seven days later. Part of what has cemented such a status is the prolific nature of his releases. Future is arguably the king of today’s trap music. ![]()
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